THE SQUARE AND THE CIRCLE
The reflections that follow, precisely as they result from a more careful consideration gained with the study that I present, will be able to play a useful introductory function, by virtue of a more literary and descriptive than mathematical character.
The proposed study is in fact the result of reflection, much more than calculations which nature seems to have bestowed without any effort.
It will be up to the reader's judgment to determine which has precedence and greater importance.
Beyond the mere geometric assumption, necessarily limited because of human and instrumental conception,
if the square with the four directions it presents can be considered an emblem of space, matter and static mass, the circle leads back to energy, to the wave vibration or sound, to time, which takes place and develops through its four phases cyclical.
The square needs all its extremes, or a cross as by the four cardinal points, which virtually defines it.
Creating a circle is far more simple: just dropping a drop, its center, on a still water surface, to see not just one circle, but one sequence of rapidly expanding rings with gradually increasing diameters.
Even if the photographic snapshots only capture a moment of the wave impulses that alternate from the center, it is not difficult to relate their dynamics to recurring patterns, which naturally depend on the weight, amplitude and correspondence of the liquid [veil] and other factors, but always giving rise and form to distinct concentric fields, of increasing proportions, until they get lost in single waves side by side with the exhaustion of the initial thrust.
Just search for “drop of water image” on the net to compare them in quantity.
The circle expresses at the same time equidistance from a source [contraction] and isometric continuity [expansion].
Its potential, which can virtually be contained even in the center alone, manifests itself on an undulating level, to be translated into action within the framework of its phases.
The geometry of the square 'crystallizes' its continuous circular alternation, projecting it into distinct and separable areas and directions.
These are short 'literary' notes that we would like to consider abstract, but not abstruse, intended to stimulate attention on the nature and potential meaning of the circle, as a latent expression on which it deserves to meditate, in order to better assimilate its essence and root deep and functional, which can undoubtedly be defined as transcendent.
The origin [center] and the manifest wrapping of the whole [circumference], can be clearly recognized first of all in the more complex and representative geometric system of world esoteric symbolism (handed down as Śrī Chakra yantra, whose complete construction I have solved years ago with absolute accuracy for the first time in our history), since it leads back to a cosmic construct universally recognized as such.
Its planimetry extends with surprising features on the series of 8 concentric circles, whose diameters are in golden ratio progression between them.
The same ones observed in this figure, applied to the big master triangle of the mandala, corresponding to the section profile of the great pyramid of Giza, according to an ordered vertical projection that I published in the said 2003, allowing us to hypothesize a sequence of vibratory fields with precise resonance within the structure; something that about seven years later seems to have found out a confirmation at least from a spectral analysis, thanks to the installation of scientific instruments (muon detectors).
Aside from being the basis of every orbital relationship, from atomic to astrophysics, the most mysterious mode of affirmation of the circle is undoubtedly the spiral, a bidirectional symbiosis of the two values of center and periphery, origin and destiny, which connects the infinitesimal to infinity.
We will find these first ingredients as necessary if not sufficient for the natural resolution of the squaring of the circle, presented in this work, which shows the correct definition and genesis of the π, the only true unknown and key to the millennial enigma.
2_{x}2 = 3.14
DISCIPLINE OF THE π AND NATURAL SQUARE OF THE CIRCLE
© The Watch Publisher 2021


in a circle of diameter 1, π is
 the Root
 Square[d
 of its golden section
 by centuriesold convention multiplied ×4 = 3,144605511029693144…


Nonetheless, a further, singular to say the least analysis was developed as an appendix at AstroTime. Not only the BirthdayChart of the traditional pi day is being built – celebrated since 1988 as ' the International Day of Mathematics' – with an amazing astrological discovery, but even the genetic structure of the famous and unknown constant π is resolved, which despite the most kaleidoscopic target practice imaginable, continues to govern the physical world and not only.
Antonio Alessi © The Watch Publisher, 200321
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