from the Divine Triangle to the Great PyramidEverything elaborated on the previous page can only lead back to the last, or rather the first, piece of this mosaic: validate the squaring of the circle, made impossible by our mathematics, even if implemented in three-dimensional reality by the builders of the Great Pyramid of Giza – from which all this research of mine began.It is the first and most solemn implication of the qualities of the Divine Triangle to unify the two figures of circle and square at the same perimeter, lending to the circle its vertex, around which everything rotates, i.e. its height as radius , and the square to its base, so the perimeter of the square divided by the diameter of the circle will reveal the mysterious π. Since the circle will be traced properly with the center at the vertex of the pyramidal triangle, and the square at its base, I also illustrate the direct comparison by superimposing the two figures (mouse click), both obviously with centers at the vertex, obtaining a diagram that shows the exact intersections of the two circles (at the vertex and circumscribed to the triangle with diameter = 1) with also the sides of the triangle and the base of the square, which brings to mind points of precise correspondence and implicit and necessary harmony for a unique result. From the vertex to the vortex
A vertex that is identified here [+] with the π as the Gravitational Principle, which immediately converts the square base of a pyramid of height Φ into a circle when one of its basic side is equivalent to the golden ratio of the sum of the two oblique sides.
Beyond the most disparate theories and research, even scientifically involved, to familiarize ourselves in a simplistic way with the realization of the squaring of the circle instructed in the pyramid, we reduce the analysis to two factors, vertical and horizontal. In practice, the energy seems to move vertically both upwards and downwards, while the matter is arranged and oriented to the four cardinal points, a sine qua non for a certain process to take place.
To represent all this, the cardinal cross is sufficient, contained and expressed by the earthly horizon of the square (the cross whose arms are equivalent to 2 sides) and from its center the height whose celestial horizon is that of the pyramid (top of the Great Triangle ).
If we bring the two triangular faces of North and South, Earth and Water, to unite their bases on the East–West axis, and the two triangular faces of East and West: Fire and Air to unite their bases on the North– axis South by separating the two axes for a height equal to that of the GP and joining their ends we will give shape and substance to that tetrahedron made up of the same four faces of the pyramid, thanks to which in the alternation of their basic quadruplicity their triangular triplicity is recomposed in logical sequence, where each vertex rotated by 90° accumulates the zodiacal charges of each Element. Thus it has been analyzed and described for many years as the structural foundation of DNA, and which on this occasion we see coordinating even before the 12 Zodiac Signs, the 4 potentialities of the pyramid each for its own Element; which is probably an essential part of what was depicted on the external surfaces of the building, and unfortunately it was looted. The representation of this occult implant – whereby the squaring of the circle regains its transcendent guise – at the level of elementary geometry it translates more simply into the statement referred to later by Herodotus.From a perspective that does not see the shapes and sizes of only undifferentiated numerical factors, the image seems quite responsive and eloquent to me; all the more so as it concerns a physical and ultraphysical reality full of mysteries. A more than monumental device therefore, returning to the GP, which integrated in an amazing synthesis the qualities of the circle and the square, the vibratory horizon of all frequencies and static matter, the celestial vault and the four directions on earth. Not only that, but believe it or not, making them interactive in more than one occult way: the ability of the pyramid and any of its scale prototypes to conserve, purify and vitalize, have even been the subject of a patent. Beyond the most widespread popular and parascientific applications that have occurred with the spread of various experiments, which consider the pyramid as a condenser and energy transmitter - from Nikola Tesla onwards, as his ancient prototype used as a power plant – up to magnetic resonance imaging of the pyramid as a therapeutic aid, and the recent ones:
and it is not limited to a geometric curiosity, as far as a scientific paradigm can determine, but of a realization capable of activating energetic interactions at unknown levels. Even its function as an interstellar cosmic clock appears well-founded and communication with other worlds and dimensions has been tested within it. What is certain for me is that if it were affected by the errors that are attributed to it regarding the golden correspondences, it would evidently never be able to produce any of the effects detected. And if that's not enough: In a brilliant piece of reverse engineering based on twenty years of research, Dunn reveals that the Great Pyramid of Giza was actually a large acoustical device!
By its size and dimensions, this crystal edifice created a harmonic resonance with the Earth and converted Earth's vibrational energies to microwave radiation. Only at the final goal will it become a simple container and logo of what is being experimented and discovered: every truth appears complicated... until it is understood. Nonetheless, the symbolism is present and realized in an undeniably precise and eloquent way, so concentrated and knowledgeable that even today it surpasses our knowledge and ability to investigate. It is hardly credible that the builders of an instrument of ultra-planetary scope and capabilities with almost inexplicable construction and geographical location requirements given their precision, could have erected it to be a tomb, and indulged in errors such as those denounced by modern scholars. Who base their criticisms on improvised and conflicting measurements, and at best on a canon of π approximated by long vicissitudes and in any case not absolute but only apparently established – since it will never be possible to do so – but for this very reason it is highly publicized. Classifying it and reducing it to a tomb only exposes the limited horizon of pedestrian Egyptologists, perched behind a desk. In truth, the work of building the GP is entirely structured around an emblematic figure, the Triangle which contains perfection; although it took thousands of years for any of them to return and reveal it… It is much more credible and plausible than π is completely hidden in the very demonstration of the formula built stone by stone, from the center of a circle towards the four corners of the world. Nothing could be more effective and representative than translating the principle into a solid construct, in which the vertical power projected up to the sky, and the horizontal embraced the earth, as if to define it with this and other extraordinary peculiarities, which although not of interest this study, carry messages that are decidedly far from making it appear as a construction of pharaonic representation only. Some researchers even supported the experimentation of models with completely empty faces consisting only of the geometric profile of the solid in suitable materials, capable of easily accommodating a physical person, which would validate the value of the mere geometric projection in space-time reality.
Be the PyramidIn this regard, it is worth meditating again and intensely on an aspect that is unexpected for many, but which has guided me since the first draft of the treatise on those 5 Rites. Every person who practices these Rites, activating the 4 Elements one after the other for a certain number of times, and finally rewinds them, condensing them standing in the movement of the vortex, he / she is is the pyramid, embodies it with this simple ceremony, which recalls and reflects its potential even more effectively and quickly than an external container.This is because the forces are already inside, and are vivified from within, directly from one's own etheric zone. This consideration does not fail to bring to mind Leonardo's famous Vitruvian Man. Even though there is no squaring of the circle or golden ratio in any of Leonardo Da Vinci's works, except in the collective imagination and on the faces of his Mona Lisa which are almost scarred in this regard with inconsistent golden spirals, the symbolism put into play in that image preludes to a happy intuition: having projected man with arms and legs open at the center of an effective symbolism, as a figuration of the 5 at the top of the archetypes of circle and square, whose meaning no longer escapes anyone, and will become even clearer with this study. Apart from the fact that from a physiological point of view I have in-depth and demonstrated this overall image is an ideographic false, Leonardo Da Vinci cannot be denied an excellent sense of proportions, implicitly also golden, which appear in certain features of the celebrated icon, but nature dictated the rules. A formula in any case magnificently expressed by the Divine Triangle, and only that, but on the condition that it is recognized as containing the π, in one, in my conception, or 4 times one of its sides. Having learned it from the Egyptian initiates, it was transmitted to us at least by Théophile Moreux. Herodotus reports that the Egyptian priests
had taught him that the proportions established for
the Great Pyramid between the base side and the
height, were such that the square built on the
vertical height exactly equaled the surface area of
each of the triangular faces and this is actually
what modern measurements have verified.
Thereafter, the perimeter of the circle having the height of the pyramid as its radius is exactly the same as that of the square with the same side [as the pyramid].
In summarythe Supreme Triangle reserves for us the genuine π, both by calculation and as a direct measurement in the most immediate way:
Two topics stand out to which the esoteric meaning of the scheme can be referred. The vertical sense, which directs thought towards the celestial vault, but contains in the circular potential everything that expands and is distributed in equilibrium from a single center: the top of the pyramid.
And here is the transposition from the metaphysical to the physical – circle ~ square – takes the form of complete obedience to π which guarantees their correspondence, both vibratory and spatial. The issue of its recognition would undoubtedly have arisen in the modern world from the practical difficulty of establishing the exact and congruent measurements of the monument, if the preclusive calculation of the modern π.The key to its resolution was already contained in the architecture itself, but would only appear with the recognition of that Divine Triangle which synergizes the figures of square and circle, intermediating Heaven and Earth in a unique and irrefutable conformation-demonstration. Even though researchers and Egyptologists would have debated it in vain for centuries, not without admiration for the area that remained in the shadows, but admitting at most that the ancient planners had arrived very close to certain ideal measurements (whereas the current π, although subject to different bills, would be exact!). The truth is that we are the ones who have not yet grasped its complete mastery. The contradiction of precluding the geometric tracking of the π why it is a transcendent number is in itself obvious if we just consider that Φ it is equally so, yet it can be handled in a multitude of ways. It is its formulation credited to be geometrically impractical, which in turn should indicate that it is compromised. Nevertheless it is the slogan of the century. It should be kept in mind that without the true π, guaranteed solely by the total and superior perfection of that Triangle, no more or less adapted pyramid calculation will ever truly correspond to the applied theorem, although it may be contested due to the uncertainty of the measures adopted. Although it is all too easy to vary and readjust measurements of a monument of such size, which is today incomplete and aged for millennia, until π 3.14460 will not be recognized and applied, everything else will just be an improvised simulation.
In essence, even when the 'design' of the builders could appear clear and unequivocal, in my opinion it will always be strictly necessary to refer to the GP through the pattern of the Great Triangle, as the only ideal and resolving scheme of every research, both physical and metaphysical, to what this pyramid was called to constitute.
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